The sacrifice of ZahrA the lovely aryan
Act III of an erotic tale taking place in the Iran of the Ayatollahs


femme aryenne




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femme aryenne
femme voilée

I did not stop any more looking at ZahrA, as if I had chosen her, and the others seemed to accept that choice and to make it their. I had chosen ZahrA and the group mysteriously complied to that choice and regroup us together as if we formed a couple. Then the group re-formed surrounding the couple that we where ZahrA and me, as to protect us from any inquisitive look, to assure us of a suitable discretion so that we can assume, with serenity, this sudden and inevitable union.

I had chosen ZahrA, ZahrA had chosen me, she who belonged, without knowing him, to someone else. We formed henceforth a couple, a short-lived couple, chastely protected from the avenging of the mob, by a human wall formed by these beautiful and desirable girls that accepted our union with detachment; we remained there silent, ZahrA had taken my hand and squeezed it softly.

I got closer to her enough to touch her, smelling the flavors of her body. I leaned on her feeling all the ecstasy of a sportive exploit; she let herself go, she docilely embedded herself on me without saying a word. She took my hand and drove it slowly towards her face sliding it chastely on her flesh easily tangible through the tissues molding her body, the undulations of this body that woke in me, sudden sexual impulses, I felt my senses ignited.

femme aryenne
le dévoilement de la femme aryenne
animation


I approached my face to her face, she did not evade me. I deposed a kiss on her forehead as a father to her daughter, chaste, indistinct and clumsy. She accepted without restraint, raising her opened mouth towards the object of this timorous approach; she offered herself to my mouth and I dived into it with fervor, loosening her tongue, striving the smooth saliva's that moistened her palate, smelling the warm breath that sprang off her over-excited breast.

I felt like fingers crossing through my loins; was it the fingers of an other one of the girls, attracted by the spectacle of our overlapping bodies, and who panted with envy, supporting with approving interjections our carnal raids? Those fingers with sharp edges nails, decorated with incisive stones, with fine sharpened metals, travelled downward, skillful and passionate like sneaky weapons, lifting my shirt to rub itself there, caressing my clammy flesh, drawing burning furrows in my fragile flesh. They were ZahrA's fingers.

I had begun also, my own investigations. My hands travelled passionately towards her croup, infiltrated into the sinuous mazes of the veils meanly arranged around her body, reached the erogenous zones of her flesh, lingered over them, making her body vibrate with erratic spasms.

During that time, my penis swelled. As a passionate spermatozoon, it instinctively looked in ZahrA's clothing meanders, the way to perform the ultimate rite. It effortlessly achieved the magic crossroads from where it perceived the imperceptible cavern that opened on the vulva of ZahrA; it senses it, already humid through the slender tissues that veiled its access. It desperately looked for the way in, when a subtle hand came to release the shameless lingham in full erection and to loosen the secret yoni from its veils; it sank into it with passion, quietly waiting for ZahrA's orgasm before bursting into her womb.

scène lubrique
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I still hear the sudden rumbling, as if the rustle of the city got closer. The girls stirred. Rustle grew, grew until it surround us. The monster was there, immovable, booming, with its two big lighted headlights like those of impetuous eyes; small spotlights perched height on the metallic fuselage splashed the group we formed with an intrusive light. Metal jingles, deaf rumors over the hard-packed surface, the sudden raid of the "concrete heads", those militias charged to apply the diktats of the "ministry of the Islamic behavior", raised proudly their kalash as provocative banners, we where deftly surrounded. The group of girls tightened on us, until they melt us together, ZahrA hold tight to me, as to be linked in search of an ultimate protection. We heard the sudden rustle of the throat moaning of the girls that echoed on the mazes of the park as imaginary messages of distress; those coming close by, from the throats of the other women, in what seems to be, a gesture of solidarity, all around the scene, accompanying the sound of metal to metal, the absurd growls of the soldiery and the apocalyptic messages spat by the noisy radio coming from the metal monster.

The men of the militia attacked the opaque wall formed by the mummified bodies of the girls, knocking down some of them, forcing the others with the butt of their weapons, finally breaking the opaque line that isolated us from the others. A militiaman deftly caught my arm while the others pushed ZahrA apart from the scene.

They dragged me with vigor towards the immovable monster, the militiamen held with difficulty, the girls suddenly transformed into pathetic Amazon's, they beat the men with their fists, with their feet in pointless attacks which only increase the power of the Titans. They understood that I would be the only one arrest, that they would not be worried, which increase their instinct of warrior.

We approached the howling monster, the militiamen got ready to embark me for an unknown destination. Suddenly, a shadow intervened between the steel monster and the group of militiamen who encircled me.

It was ZahrA.

In a decisive gesture she removed her chador, she slid her veils on the ground pushing them aside with her foot as of futile and cumbersome accessories. She appeared in full light in all her Aryan femininity, beautiful in her plastic-like short skirt rising very high and which hardly hid her still humid underwear. The tips of her tiny bosoms pierce, outrageously, her transparent blouse like the peaks of the mounts Elbourtz whose worrying shadows, shaped themselves northward, sinister. Her ebony fleece races out under the sudden evasion of the chador and came splashing her elastic body with wave-like and gleaming strands.

She was immovable as a goddess of marble. Her feet planted on to the ground, she maintained balance on the fragile needles of her heels. Her hands to her hips, she seemed to provoke, to challenge the fury of the kalashnikovs, her croup lifted itself up slowly, as to defy the howling monster that splashed with its dense light her magnificent body of beautiful Andromede. She had a lively expression in her eye and a provocative lip and she seemed to offer herself in holocaust, lascivious, sensual, impetuous beast to make in his grave, the Ayatollah Khomeiny have a hard-on.

- "Mach Allah"

porte Bagh-E-Meli
Bagh-E-Meli
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The moment preceding the drama, time was suspended. I wanted to abduct her, to carry her in my arms, to protect her with my body, to veil her under her chador, to hide her under her chaste veils, to cloister her, to lock her into my secret harem, to shield her from the greed of every male, to imprison her in the deepness of my absurd dreams.

The soldiers released me and hurled themselves on to ZahrA. I could not react, did I had the courage and the force to do it? I became a mollah more than Perseus. They abduct ZahrA into their steel monster. The vehicle disappeared in a deafening humming, pushing the crowd aside with roughness.

We remained there dazzled, the girls agglutinated around me with a vague glance.

I took the plane back to Paris on the same evening.

I would never see again the azure domes of Mashhad and Isfahan. I would not pace down any more the poetic gardens of Shiraz. I would not get lost any more in the mysterious mazes of the souks of Tabriz and Teheran. I would not see any more the antique stones of Persepolis. I would not revive any more, the exploits of my previous journeys, on Marco Polo's footsteps, through the sandy roads of Yazd, Kerman and Hormoz. I would only share in my dreams, the loving fantasies that assail my spirit since the ultimate sacrifice of ZahrA.


Marco Polo or the imaginary journey (Contes et légendes, translated from french, juillet 1999) © 1999 Marco Polo
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